terça-feira, 20 de março de 2012

Mudança da mente



«Muda que quando a gente muda o mundo muda com a gente
A gente muda o mundo na mudança da mente
E quando a mente muda a gente anda pra frente
E quando a gente manda ninguém manda na gente»

Gabriel o Pensador




sábado, 17 de março de 2012

Eusboço at work




Todos os cartazes da autoria da nossa amiga e artista Eusboço são realizados com o empenho de horas de trabalho e cada obra resulta num quadro único e irrepetível. Aqui vemo-la em pleno processo de colagem e partilha da Arte no espaço urbano e coletivo.

sábado, 31 de dezembro de 2011

2012 a caminho!


Quando se vê, já são seis horas!
Quando se vê, já é sexta-feira!
Quando se vê, já é natal...
Quando se vê, já terminou o ano...

Mário Quintana

quinta-feira, 8 de dezembro de 2011

The Origins of Graffiti #2

«Rewinding still further, to classical times, did the famous gladiator Celadus Crescens feel any remorse when he wrote on the walls of the gladiatorial academy in Pompeii that “Celadus makes girls sigh”. I doubt it. And I don’t think his fellow Pompeiian vandal, the chap who drew a penis on a street corner and then added the slogan “Handle with care”, felt particularly guilty either.»

Waldemar Januszczak


segunda-feira, 5 de dezembro de 2011

The Origins of Graffiti



«Actually, you need to go back much further than 20 years to get anywhere near the origins of graffiti art. You have to return to prehistory. I’ve seen naughty scratchings on cave walls that are at least 20,000 years old. Give someone an opportunity to scrawl something they shouldn’t, somewhere they oughtn’t, and in my experience the blighters will always take it. For instance, that well-known vandal, Lord Byron, appears not to have felt any pangs of conscience whatsoever about incising his name on a column in the ancient Temple of Poseidon, in Attica, where you can still read it. Byron couldn’t help himself: he had to let people know he’d been there. The same goes for those notorious Renaissance vandals Michelangelo and Raphael, both of whom sneaked down into the basement of Nero’s Golden House in Rome and signed themselves on the ruins.»
Waldemar Januszczak



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